Artistic success—commercial
failure, social outrage.
We sat in the bar, facing each other, waiting for our
hamburgers to arrive.
“People were disturbed by my recent story.” I said.
“That’s because people don’t want reality. It’s too ugly for
them.”
“To think," I chuckled. "I used to write detective stories.”
The waiter refilled our water glasses.
“I know what my next story will be.” I blurted, grinning. “It’s going
to be about a zombie. A zombie who—”
“I know, I know,” My father replied, rolling his eyes. “That
goes around and rapes women.”
“No. He’s a child molester and his victims grow up to be necrophiles.”
I said, laughing.
He didn’t laugh.
He may have been disturbed.
I was joking, of course.
Our food came. We ate in silence. I finished my hamburger and
said, “I think I’m going to write something more commercial.” I paused, waiting
for a reaction. “I was thinking about writing a sequel to Protocol, a third
installment in the “SWINE!” series.”
He looked up. “Well, sometimes that’s what you’ve got to do, write different things to
find out what people like.”
“Art isn’t about what people like. It’s more than that.”
“Then why do you care what people like?”
“I guess I just want people to like what I write.”
"Well, I liked it."
"Thanks."
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